BA (Hons) English Literature with Film

Key information

Typical offer:
Entry requirements
Fees: See below
Full details
UCAS code: Q3W6
Institute code: H36
Study abroad option
Work placement option
Find out more

The University of Hertfordshire is committed to welcoming students with a wide range of qualifications and levels of experience. The entry requirements listed on the course pages provide a guide to the minimum level of qualifications needed to study each course. However, we have a flexible approach to admissions and each application will be considered on an individual basis.

UCAS points	A Level	BTEC	Accepted T Levels	Access Course Tariff	IB requirement
112–120	BBC–BBB	DMM–DDM	112–120 UCAS points Please see additional requirements for accepted T Level subjects	Overall merit profile in 45 credits at Level 3	112–120 UCAS points

Additional requirements

GCSE: Grade 4/C in English Language and Mathematics.

Accepted T Levels: Design Survey and Planning for Construction; Design Production, Design and Development; Education and Childcare; Healthcare Science; Health; Science; Digital Support Services; Digital Business Services; Onsite Construction; Building Services Engineering for Construction; Accounting; Design and Development for Engineering and Manufacturing; Engineering, Manufacturing, Processing and Control; Finance; Maintenance, Installation and Repair for Engineering and Manufacturing; Management and Administration; Agriculture, Land Management and Production; Legal Services.

All students from non-majority English speaking countries require proof of English language proficiency, equivalent to an overall IELTS score of 6.0 with a minimum of 5.5 in each band.

If you do not have the required IELTS or equivalent for direct entry on to your degree programme, our Pre-sessional English and International Foundation courses can help you to achieve this level.

For more details on the University of Hertfordshire's entry requirements, please visit our Undergraduate Entry Requirements page.

Find out more about International Entry Requirements.

Why choose this course?

English Literature has a 94.2% overall student positivity* score (National Student Survey, 2023)
Specialise in the literature genre and period of your choice
Close to the Warner Bros. and Harry Potter studios

We give you:

The chance to explore the cross-over between these highly complementary disciplines.
An expert academic team to support you and build your confidence as you develop into a scholar with expertise in both fields, plus the opportunity to get involved with local cinemas and our own bespoke film club.
A global approach to both Literature and Film, providing both a broad overview of literary and cinematic history and the chance to study more specialised areas of interest.
CV-building potential through work placements and extra-curricular activities.

What's the course about?

A degree in English Literature with Film will help you grow from passionate reader and film-fan into a critical thinker able to understand literary and cinematic works by applying a wide range of critical, theoretical, political and historical perspectives. The disciplines of Literature and Film Studies are highly complementary, and as you progress through your degree you will find many fruitful connections between them.

This fascinating degree is both geographically and historically wide-ranging. This means you’ll study literature written in English from the Renaissance to the present day, by writers from all parts of the globe; and alongside this, you’ll explore film and television from America, Asia, Britain and the rest of Europe, from the earliest days of moving images to some of the most exciting contemporary work being produced today.

In both disciplines, you’ll be taught by research-active academics who bring fresh thinking to our accessible, engaging courses. We’ll introduce you to writers and film-makers who will open doors to contemporary worlds and cultures remote from your own, and also help you explore more familiar works – both textual and visual – in ways that challenge your preconceptions.

Whatever your taste in literature, there will be something to interest and provoke you. From The Tiger Who Came to Tea to Jane Eyre, from Paradise Lost to Zadie Smith’s Swing Time, we’ll broaden your literary horizons and hone your critical thinking.

A core Literature module in your first year will equip you to read and interpret both traditional and contemporary literary texts critically as a scholar of English literature. Alongside this you can choose to revisit Shakespeare and consider his cultural relevance today through fictional, cinematic and TV adaptations; or to deepen your understanding of Gothic writing by tracing its origins back to the Romantic era.

In your second year you’ll focus on period-based literature from the Renaissance onwards and gain an understanding of literary history, from Elizabethan verse and drama, via Augustan poetry and the emergence of the novel in the 18 th century, to the radical transformations of the Victorian age, and the emergence of modernity in the twentieth century.

You’ll also have the opportunity to consider ways of reading that go beyond textual analysis or historical context, such as understanding literature through the political or ideological lens of Marxism, feminism and post-colonial theory. You can choose a work experience module, Literature at Work, which explores English in the classroom and aspects of the literary heritage industry. The module is centred around a six-week work placement where you’ll gain valuable transferable skills. Our students have worked as school classroom assistants, in publishing houses or attractions such as London’s Charles Dickens Museum and Dr Johnson’s House.

Work placement/study abroad option: Between your second and final year, you’ll have the option to study abroad or do a work placement for up to a year. Not only will this give you an amazing experience to talk about but will also give your CV a boost. If you’d rather go straight to your final year, that’s absolutely fine too.

You’ll have the chance to specialise in your final year, tailoring your literary study to reflect your own interests. Themed options include children’s literature, young adult fiction, Renaissance tragedy, European crime fiction, literary adaptations and the culture of print in the 18th century.

At the same time, your minor in Film will further hone your analytical skills, and give you a sophisticated appreciation of the craft of filmmaking. You’ll look at how the film and television industry has evolved and adapted to new technologies, how novels are recreated in film and how film gives us fresh perspectives on the world. You’ll also have opportunities to design and run film programmes, write and produce your own short films and hear guest lectures by film, television and media professionals. Topics covered range from silent movies to the Golden Age of Hollywood, the birth of the blockbuster, the influence of European style on American film, the way digital technology has transformed the industry, and why franchises have proved so successful, from James Bond and Star Wars to the Marvel cinematic universe.

Your main campus is College Lane

This is where the creative arts, science and health-related subjects are based. This means you’ll share the campus with future nurses, scientists, artists and more. You can use the common rooms to relax with friends, work out in the 24-hour gym or have a drink in our on-campus pub or cafes. We also have restaurants for you to eat in or grab something on the go. Our Learning Resources Centres are open 24/7, which means you can study whenever suits you best. Want to pop over to the other campus? You can take the free shuttle bus or walk there in just 15 minutes.

What will I study?

Students of English Literature with Film will be taught in a variety of ways according to the characteristics of each module. Many are taught via weekly lectures and weekly seminars, and there are timetabled weekly screenings to make sure that you always have the chance to see the films you are studying. Workshops are used in English Literature to discuss subjects in more depth and encourage independent analysis, and in Film for modules where the practical skills taught are enhanced by the supervision of experts in their field. You may be assessed using innovative methods such as the video-essay, for which you will be taught highly transferable skills in editing and presenting. You will also be expected to read and watch primary material in your own time, to contribute to online discussions, and to download and read notes from StudyNet, our virtual learning environment.

Level 4

Module	Credits	Compulsory/optional
Introduction to Film Criticism	15 Credits	Compulsory
This module introduces students to the art of film criticism through an analysis of film texts and how to critique films in an engaging and informed manner. Students engage critically with how meaning is communicated through film. The module will also equip students with an historical awareness of film and related stylistic and technological terminologies and contexts.
Texts Up Close: Reading and Interpretation	15 Credits	Compulsory
This core module aims to encourage and develop your enjoyment of the processes and practices of reading literary texts. It is also intended that the module help you transition from secondary education to university study and equip you with a strong foundation in some important skills needed throughout your university career: close textual analysis, independent learning, critical thinking, and advanced academic writing. The module aims to encourage you to think about literary genres and styles, as well as a range of approaches to literary criticism. We will focus on a small number of primary texts written at different times, as well as a selection of literary criticism. Typical examples include: Zadie Smith's Swing Time, Caryl Churchill's Cloud 9 and a range of poems. `Texts Up Close' will also complement your work on other modules in the first year, and prepare you for the next steps in your degree.
Make it New: Literary Tradition and Experimentation	15 Credits	Compulsory
This module builds on your work in the first semester and focuses on the ways in which, in the Twenty-first century, literary texts continue to undergo transformation. In studying examples from the three main genres: prose (novels), poetry, and drama. You will examine how texts either conform to, or break away from, literary conventions and traditions. The module emphasises recent material to give you a sense of the writing around us now, but we will also look at some older ~classic' texts. We will seek to question how the ingredients of different genres (character, plot, and narration in the novel; dialogue and structure in drama; language, metre and rhyme in poetry, for example) are re-examined and questioned over time. Authors studied may include, for example: Ali Smith, Mike Bartlett, Max Porter, Simon Stephens, Terence Hayes, Ocean Vuong, Rita Dove, Sophie Meyer, Adrienne Rich.
Journeys and Quests: Adventures in Literature	15 Credits	Optional
From ancient Greek poems about mythic heroes, to the search for the Holy Grail, and recent stories about returning home, the quest narrative has been central to literary texts across time-periods and cultures. They have been used in reactionary and revolutionary formats. This module is interested in the narrative traditions, conventions and motifs of the quest, and we will pay close attention to literary form and content. We will also think how certain narratives are recycled and re-used by writers and filmmakers. We will move from ancient texts such as Homer's epic The Odyssey to more contemporary re-writings of this story, such as Margaret Atwood's The Penelopiad (2005). Students are asked to think about how adaptations of both the form and specific narratives engage with current social, political and cultural debates around identity, heroism and the notion of 'home'.
Border Crossings: Modern Literature from around the World	15 Credits	Optional
This module focuses on literary texts from around the world. You will explore texts from a diverse range of countries and cultures (either written in English, or translated into English), helping you to think of 'English Literature' as more than just writing produced in Britain. You will study a selection of significant international works that have sparked particular debate or represent literary innovation. We will discuss themes such as: identity; belonging; migration; heritage; diaspora; indigeneity; and environment. The module will build on the work done in the first semester, continuing to help you develop ways of comparing and analysing different texts and their contexts. We will read works from countries as varied as Australia, Guyana, India, Ireland, Nigeria, Palestine and the USA. These will typically include novels, graphic novels, films, poetry and plays.
Identity and Contemporary Writing	15 Credits	Optional
This creative and critical module explores a range of contemporary poetry and prose about identity. Broadly, the module examines material written in the late-twentieth and twenty-first-century about identity positions, from race and gender, to sexuality, dis/ability, class and so on. We will consider, both creatively and critically, how one writes about one's own life, whether marginal or otherwise. You will think about these concerns as both creative writers and literary scholars: you will be analysing poetry and prose as well as writing in these forms on a fortnightly basis. Each critical week, exploring a topic, theme or author, will be followed by a creative week, where you put into practice the things you've learned. In all, this module helps develop you as both a writer and a scholar of contemporary literature. Writers studied may include: Emily Berry, Danez Smith, Justin Torres, Mary Jean Chan, Andrew McMillan, Claudia Rankine, and others.
American Voices: Introduction to US Literature and Culture	15 Credits	Optional
This module will introduce you to some key works of US literature, from the founding of the nation until the present day, and explore how they intersect with important aspects of American history, culture and society. We will study works in a range of forms and genres, from varied historical moments, developing your understanding of recurring motifs in American culture and your skills of critical analysis. The module will suggest different ways of conceptualising -- and making connections between -- alternative literary interpretations of the American experience. These approaches may be thematic (e.g. revolution, modernity, isolation), stylistic (e.g. Gothic, realism, naturalism) or spatial (e.g. city, plantation, frontier, small town). The module will lay the foundations for the more in-depth, period-based study of American literature at Level 5 and 6 by giving you a sense of the dazzling diversity of American writing over the last two centuries and more.
Romantic Origins & Gothic Afterlives	15 Credits	Optional
This module interrogates Romanticism's intersection with the Gothic in an era of revolution, innovation and social change. It explores a number of themes around innocence and experience, liberty and enslavement, terror and romance, together with new ways of thinking about the world, through theories of the sublime and the picturesque. The emphasis on origins invites us to investigate the development of genres and modes of writing from Romantic fragments to revolutionary feminist essays, fairy tale narratives and Gothic romances, and to give special prominence to childhood. We interrogate a range of narratives that focus on the peculiar responsiveness of children to nature and the revolutionary promise of the child. We also investigate childhood as a less than idealised state: tales of primitives, 'savages', feral children, and 'monsters'. The module will conclude with an exploration of the dark 'other' of the beautiful Romantic child through the Gothic afterlife of Frankenstein's creature.
Genre, Style and Stars	15 Credits	Compulsory
This module builds on skills developed at Level 4. It introduces you to the study of film and television using theoretical perspectives from the discipline and from wider cultural and critical areas. It focusses on theories of genre, authorship, and style, considering the origins of the star system from the Golden Age of Hollywood to the celebrity era of the global digital age. The module also examines the relationship of film genre and stars to globalisation and how genre and the global film market interact.
History on the Page, Stage, and Screen	15 Credits	Optional
From the Assassin's Creed video games to the enormously popular Bridgeton series historical events, people, and scenarios dominate our cultural landscape. They are presented in novels, on television, on film, and on the stage. The past is the source of inspiration for societies around the world. Writers use it as the setting for their stories; governments use it to justify their policies; businesses use it to sell their products or services. This module explores how history is represented in popular culture and provides students with an understanding of how historians are involved in shaping these depictions. It asks students to question the extent to which contemporary depictions tell us more about our own times than about the past and to consider the extent to which popular representations of the past connect with debates amongst academic historians.

Level 5

Module	Credits	Compulsory/optional
Studies in Twentieth Century Literature, 1900-1945	15 Credits	Optional
Building on the study of narrative begun at Level One this course will examine some key texts published in the period 1900 - 1945 and offer an historical and theoretical framework in which the set texts can be read. A central part of the course will be the attempt to explain the literary developments of the period by reference to a central concept in twentieth century cultural history: Modernism. The course will make clear that the chronological division indicated here does not imply that all texts of this period can be called `Modernist'. As students will be invited to consider, this is simply a convenient label whose meaning is itself a source of controversy and debate. Attention will also be given to such common thematic motifs such as urban ambience, the 'presence of the past', social class and sexual politics. The writers studied on the course will vary from year to year but are likely to include such key figures as Joseph Conrad, Virginia Woolf, May Sinclair, Jean Rhys, James Joyce and T.S. Eliot.
American Literature to 1900	15 Credits	Optional
This module traces the development of American literature from the colonial period through to 1900, examining texts from multiple genres (autobiography, captivity narrative, political propaganda, novel, poetry, short story). It will examine how writers responded to the American environment and sociopolitical events to create a distinctively American literary tradition. Attention will be paid to issues such as New England Puritanism; the treatment of Native Americans; slavery; the War of Independence; America's relationship with England; Manifest Destiny, expansionism and the frontier; transcendentalism; the Civil War; industrialization and the growth of the city; gender and sexuality. Authors who may be studied include: William Bradford, Mary Rowlandson, Phylis Wheatley, Benjamin Franklin, Thomas Jefferson, Charles Brockden Brown, Washington Irving, James Fenimore Cooper, Edgar Allen Poe, Frederick Douglass, Harriet Jacobs, Nathaniel Hawthorne, Herman Melville, Ralph Waldo Emerson, Henry David Thoreau, Walt Whitman, Henry James, Emily Dickinson, Mark Twain, Edith Wharton, Stephen Crane, Sarah Orne Jewett.
Ways of Reading: Literature and Theory	15 Credits	Compulsory
Ways of Reading is an introduction to literary critical approaches which call into question apparently common sense interpretative concepts such as 'intention', the 'author' and 'character'. The module will offer a survey of twentieth-century trends in critical thinking about literature, including Marxism, psychoanalysis and feminism, together with later developments such as deconstruction and Postmodernism. The emphasis will be on learning to apply concepts which are characteristic of these approaches within the context of your own critical writing about literature. This module is compulsory for students intending to take an independent project module or dissertation in Literature at Level 6.
Images of Contemporary Society: British Literature and the Politics of Identity	15 Credits	Optional
Drawing on writing produced since the Second World War, this module focuses on the changing situations of both writers and readers of British fiction, theatre, and poetry. The module undertakes an examination of realism in post-war writing and students will be asked to consider the cultural representations of the period as they are evinced in both fiction, drama, and poetry including those of the late 1950s and early 1960s, a time of unprecedented change in British society. The module provides examples of this writing in authors, such as Sam Selvon, John Braine, Caryl Churchill, Zadie Smith, Irvine Welsh, and Linton Kwesi-Johnson. It considers the ways in which the set texts deal with such issues as class antagonisms, race and ethnicity, masculinity and femininity, and sexual expression, and how they effectively represent, and are representative of, contemporary British society.
Film Production	15 Credits	Compulsory
The module provides a practical development of level 4 theory. This includes training in camera work, sound recording, lighting and editing. The module assessment is primarily group based and students are guided in forming and working effectively in teams. We also examine clips and ideas from contemporary and historical cinema.
Age of Transition: the Victorians and Modernity	15 Credits	Optional
The Victorians recognized their own period (1837-1901) as a time of extremely rapid social change - an Age of Transition. Technology, science, transport, medicine, class, industry were all areas of transformation, for better or worse. In this module, we will study representative Victorian genres (novels, poems, plays, journalism), which respond to this sense of upheaval and the emergence of the modern world. Against this, we will read novels by writers working today who choose to set their work in the Victorian period. These neo-Victorian novels re-write the Victorians from the perspective of our 21st century. They also ask us to reflect on our own preconceptions about the Victorian period and our sense of living in a more enlightened society. Students will be asked to respond to these texts and consider the cultural, social and political implications of how the Victorians thought about themselves, and how we chose (re)engage them.
Literature at Work	15 Credits	Optional
This module enables you to incorporate practical experience into your study of English Literature and/or Creative Writing. It focuses on how literature (the writing process, the marketing and retailing of texts, their critical analysis, or literary history) is encountered by an audience outside academia. To take this module, you must find a suitable work placement by the end of the previous semester, with guidance from the module leader. Suitable sites for work experience might include: a school, or further education college; a heritage site associated with a writer; a literary festival; a publishing company; a bookshop; a funding body or arts organisation; a theatre. Your time spent on placement should total up to at least 24 accumulated hours, though in practice you may spend longer.
A Nation of Readers: British Identity and Enlightenment Culture	15 Credits	Compulsory
This module focuses on British literature first published between 1640-1740 and is designed to build on your ongoing close-reading and analytical skills. The module considers many key cultural themes relevant to this turbulent period of history, including power and political authority, national identity, class hierarchies, print culture, gender and sexuality, and religion, and encourages students to consider texts from a historicist approach. Texts are likely to include works by Dryden, Marvell, Milton, Gay, Pope and Swift as well as lesser-known female authors such as Mary Chudleigh and Mary Wortley Montagu. Prose works are likely to include Behn's "Oroonoko" and Defoe's "Moll Flanders". You will therefore be looking at both the work of writers whose works are often identified within the canon of great English literature as well as others who have, until more recently, often been excluded from literary histories.
US Cinema: From Studio Era to Digital Age	15 Credits	Compulsory
This module concentrates on US cinema within and without Hollywood from the 1930s to the present day. Particular attention is given to historical flashpoints of American film, to moments of significant change in terms of new aesthetic, technological, cultural and institutional directions.
Revisiting the Renaissance	15 Credits	Compulsory
This module takes a historicist approach to British literature first published between 1550 and 1642 and is designed to build on your ongoing development of close-reading and analytical skills in relation to many key cultural themes relevant to this turbulent period of history, including power and political authority, national identity, class hierarchies, print culture, gender and sexuality, and religion. Texts are likely to include plays by Shakespeare, Marlowe and Jonson, and poetry by Wyatt, Sidney, Spenser and Donne as well as lesser-known female Renaissance authors such as Whitney, Wroth and Lanyer. Prose works such as Sir Thomas More's "Utopia" and the Tilbury speech of Queen Elizabeth I will also be considered. We will therefore be looking at both the work of writers whose works are often identified within the canon of great English literature as well as others who have, until more recently, often been excluded from literary histories.
Employability Skills	15 Credits	Optional
Producing graduates who are highly employable is a key aim of the University of Hertfordshire. This module aims to help you bridge gaps between your specialist academic studies and the world of graduate employment. As well as allowing you to reflect on and further develop your employability skills we will explore the changing nature of employers' needs. Using case studies, we will consider a range of issues (legal, gender, equality) that can arise in recruitment and the workplace. The module will also focus on career planning and job searching, as well as recruitment and selection processes including the work of assessment centres and psychometric testing. Overall the intention is that you will be able to develop your job-market awareness and identify and explore potential career pathways. The module is worth 15 credits and may be chosen in place of a 15-credit subject module at Level 5, or as an additional module at Level 6, alongside 120 credits of modules in your subject(s).
Twentieth-Century US Literature and Culture	15 Credits	Optional
This module will survey twentieth-century literature and culture from the United States. We will investigate key texts (literature, film, visual culture) from the period alongside historical and cultural contexts, and theoretical frameworks. Among other things, we will discuss: the broad movement in US culture from realism modernism to postmodernism and beyond; the impact of events like the World Wars and the Depression as well as legacies of slavery and indigenous removal; and also the more general notion of the 'American Century'. By examining a range of diverse texts, we will think about race, gender, sexuality, disability and other identity positions against the backdrop of US cultural history. Possible authors studied: Nella Larsen, Toni Morrison, Louise Erdrich, Tony Kushner, William Faulkner; possible artists studied: Mark Rothko, Carrie Mae Weems; possible filmmakers studied: Victor Fleming, Julie Dash, Spike Lee.

Level 6

Module	Credits	Compulsory/optional
Literature and the Visual Arts	15 Credits	Optional
This module considers how literature relates to paintings, sculptures, prints, video artworks, and photographs. Examining cultural movements from Romanticism to the present, it discusses 'ekphrastic' works (poems about paintings) and intermedial movements sharing approaches to literary/artistic production. Avant-garde, modernist, and contemporary movements are explored alongside industrialisation, war, and equal rights. Reading may include work from Auden, Dante and Christine Rossetti, William Blake, Wyndham Lewis, Turner, Augusta Savage, Hilda Doolittle (H. D.), Elaine de Kooning, Frank Bowling, Cy Twombly, Georgia O'Keefe, Frank O'Hara, Frankenthaler, and Lerner.
Eighteenth Century Bodies	15 Credits	Optional
Gender and sexuality have histories; this module will explore some of the ways in which they were constructed in the shifting social contexts of the long eighteenth century and their intertwining with concepts of power, class, nation and ethnicity. By examining a generically broad range of textual materials - plays, poems, novels, medical and religious discourses, advice books - this module will analyse a variety of models of sexual behaviour and male and female identities, paying close attention to the historical moment in which the text was written. Possible topics for study include: Restoration libertinism as represented in the works of John Wilmot, Earl of Rochester, Aphra Behn and William Wycherley; bourgeois sexuality as in Samuel Richardson's 'Pamela' and Henry Fielding's 'Shamela'; prostitution and the commodification of sexuality as in Defoe's 'Roxana', John Gay's 'The Beggar's Opera' and John Cleveland's infamous pornographic novel, 'Fanny Hill; or Memoirs of a Woman of Pleasure'; the psycho-sexual anxieties of Gothic novels, for example William Beckford's 'Vathek' and Jane Austen's 'Northanger Abbey'.
Literature Project	30 Credits	Optional
The Literature Project is intended to give you the opportunity to carry out a substantial up-to-date research project based on a topic or author of particular interest. As well as enabling you to follow up particular enthusiasms, the module aims to further develop skills in planning, research, time-management and presentation. The module is taught via a programme of one-to-one tutorials with a designated supervisor. You may choose a topic from any area of literary studies but the choice of a topic must be agreed with the module leader before the end of Semester B preceding the next academic year in which the work will be undertaken.
Between the Acts: Late Victorian and Edwardian Literature 1890-1920	15 Credits	Optional
This module studies texts written between 1890 and 1920 in order to consider the period of transition between the end of the Victorian age and the end of the First World War. Students will be invited to consider ways in which the set texts (and recent adaptations of them on screen and stage) challenge Victorian ideas of stability and respectability as well as their engagement with such concepts as heroism, the `monstrous, suburbia, marriage and sexuality, trauma, class and nationhood. The texts studied will include a range of different genres and styles, from the so-called `problem play of the 1890s and 1900s, to the horror story; from the best-selling exotic romance to the literature of World War One. Authors studied may include Bram Stoker, Oscar Wilde, Elizabeth Robbins, E.M. Forster, Ford Madox Ford, Rebecca West, Henry James, Elinor Glyn and Rudyard Kipling.
Children's Literature:Growing up in Books	15 Credits	Optional
This module critically analyses works of children's literature published since 1950. Primary texts will range from picture books designed for very young children to works of cross-over fiction which aim to bridge the gap between the child and the adult reader. This will enable us to consider the ways in which children's literature works on the page and in culture to interpret the process of ~growing up' in modern society. We will engage in close critical analysis of the primary material (considering, for example, questions of genre, narrative conventions and the relationship between words and illustrations) - and this will be linked at to a consideration of the ways in which literature for children interacts with wider cultural and historical contexts. Authors studied might include Maurice Sendak, Judith Kerr,Tom Percival, Ibthihaj Muhammad, Dr Seuss, Roald Dahl, C. S. Lewis, Michael Morpurgo, J.K.Rowling, Malorie Blackman and Philip Pullman.
Texts and Screens: Studies in Literary Adaptation	15 Credits	Optional
Literature and film have had a close and complex relationship since the beginning of the twentieth century when silent cinema adopted the novel as a fruitful source for its own stories. The cinema is still one of the most frequent ways by which we first encounter literary texts. By using a number of case studies this module aims to introduce you to some of the key issues involved in adapting literary texts for the cinema, including questions of narrative technique, concepts of genre, questions of representation and notions of 'fidelity' and 'authorship'. As well as close readings of the set texts (both written and cinematic) the module will also engage with recent theoretical approaches to film and literary studies. The texts chosen for study will vary from year to year but might include such notable examples as Romeo and Juliet (Shakespeare; Zeffirelli; Lurhmann); Goldfinger (Flemming/Hamilton) and Trainspotting (Welsh/Boyle).
Year Abroad	0 Credits	Optional
A Study Abroad year is an optional additional year that increases the length of the Honours degree award to a four-year full- time degree. The additional year comprises an agreed programme of study in a partner institution abroad with whom the University of Hertfordshire has an institutional agreement.
The Humanities Placement Year	0 Credits	Compulsory
The Placement Year provides students with the opportunity to set their academic studies in a broader context and to utilise the intellectual skills they have gained through their degree in the workplace. The module enables students to strengthen their time management, organisational and communication skills as well as develop employability skills. Students gain experience of applying for jobs and of working within a commercial, business or professional environment prior to graduating thus increasing employability skills such as teamwork, communication skills and commercial awareness.
Television Drama	15 Credits	Compulsory
This module critically investigates the contemporary Golden Age of television drama from 1990 to the present day. Through a close scrutiny of serial dramas, we explore notions of "quality" and the particular impact of each series, as well as wider understandings of television as a medium and art form.
Twenty-first Century American Writing	15 Credits	Optional
This module will survey contemporary American literature from the twenty-first century. We will investigate key literary texts and cultural movements from the period alongside historical contexts and new theoretical frameworks. Examining works of narrative, drama and poetry, we will look at a variety of textual strategies that contemporary authors use to investigate the contemporary world. Structured through key themes, for example, the transcultural, sexuality and race, the module will provide students with the change to explore new and diverse literary material that attempts to explore America in today's globalized world. Texts studied will vary but typically will include novels (Philip Roth's The Human Stain), poetry (Claudia Rankine's Citizen) and drama (Moises Kaufman's The Laramie Project).
Euro-Crime on Page and Screen	15 Credits	Optional
The twenty-first century has seen a resurgence of interest in crime fiction, and screen dramas ranging from renewed interest in the "who-dunnits" of Agatha Christie to the more explicit violence of contemporary "Nordic Noir". This module examines European crime writing from popular detective fiction in the early twentieth century before looking at how successive European writers have modified the form, often using the crime at the centre of their narratives as a starting point for exploring questions of national and cultural identities. The written and filmed texts studied will take us to different European countries (read in translation). Typical examples include, but are not limited to, stories from Britain's "Golden Age" (1920s and 1930s), novels and film adaptations of work by Graham Greene (Brighton Rock), Leila Slimani (Lullaby; France), Stieg Larsson (The Girl with the Dragon Tattoo, Sweden), and films such as Marshland (Spain) and Dance with a Stranger (UK).
Placement with Study Abroad	0 Credits	Compulsory
Students on this unique module will have the opportunity to undertake both a semester at a partner university and to undertake a semester of placement, thus both improving their cultural awareness and employability. Students who have been on the Placement Year and Study Abroad Year, both normally undertaken after level 5 and before entering the final year, have reported high levels of satisfaction with both and many have said the Placement or Study Abroad year was one of the highlights of their university career. The Placement Year is offered by only a handful of universities offering Humanities subjects, so this module is a fantastic opportunity for students to explore both aspects of Study Abroad and Placement both here and abroad.
Gender, Sexuality and Diversity in American Film	15 Credits	Optional
This module focuses on the role gender and sexuality have played within the development of US cinema. Students explore historical moments and genres, with emphasis placed on the way gender identity intersects with other marginalised identities on screen, for example in terms of race, sexual orientation, and class.
The Literary Professional	15 Credits	Optional
This module enables you to incorporate practical experience, and critical understanding of the workplace, into your study of English Literature and/or Creative Writing. It focuses on students' understanding of how 'literature' (the writing process, the marketing and retailing of texts, their critical analysis, or literary history) is encountered by a non-academic audience. You must find a suitable work placement by the end of the previous semester, with guidance from the module leader. Placements should be for a minimum of 24 accumulated hours. Please note a) students must source their own work placement with the assistance of the module leader; b) students may not take this module at Level 6 if they have already completed the Level 5 ~Literature at Work' module.
Ecological Futures: Utopias, Dystopias and Nature	15 Credits	Optional
This module examines how 'nature' has been depicted in utopian and dystopian visions, asking students to reflect upon the implications of these depictions and their relationship to social, political, and cultural ideas, such as industrial capitalism, imperialism, fascism, totalitarianism, mass production and feminism. Students are enabled to consider constructions of 'nature' from benign to antagonistic and their potential ideological impact. Set texts will range from the late nineteenth-century to the present reflecting the changing relationship between humans and the natural world.

Study abroad

An opportunity for an amazing experience, which will help make you stand out from the crowd. With more and more companies working internationally, experience of living in another country can make a great impression on future employers.

This course offers you the opportunity to enhance your study and CV with a sandwich year abroad. The University has partnerships with over 150 universities around the world, including the USA, Canada, Asia, Africa, Australia, South America and closer to home in Europe.

If you study abroad between your second and third year of study, you’ll pay no tuition fee to the partner university and no tuition fee to us either. We’ll ask you to make your decision in your second year, so there is plenty of time to think about it.

Find out more about Study abroad opportunities

Please note Erasmus+ funding is only available until May 2023. For students starting their course in September 2022 and wishing to study abroad in 2023-24 or 2024-25, please refer to the Turing Scheme.
Work placement

Graduate with invaluable work experience alongside your degree and stand out from the crowd.

This course offers you the opportunity to enhance your study and CV with a work placement sandwich year. It’s a chance to explore career possibilities, make valuable contacts and gain sought after professional skills.

Our dedicated Careers and Employment team are here to help guide you through the process.

If you take up a work placement between your second and third year of study, at the University of Hertfordshire you’ll pay no tuition fee for this year. We’ll ask you to make your decision in your second year, so there is plenty of time to think about it.

Find out more about work placements

Current job role	Alumni Relations Coordinator
Year of graduation	2017
Course of study	BA(Hons) English Literature with Film
MA Journalism with Media Communications

View our Alumni profiles

April Wilson

Course fact sheets
BA (Hons) English Literature (Revised 2024)	Download

Programme specifications
BA (Hons) Film	Download
BA (Hons) English Literature	Download

Additional information
Sandwich placement or study abroad year	Optional
Applications open to international and EU students	No
Course length	Full Time, 3 Years Part Time, 6 Years Sandwich, 4 Years
Location	University of Hertfordshire, Hatfield

International/EU applicants without pre-settled status in the UK

Apply through our international/EU application portal

Home and EU applicants with pre-settled/settled status in the UK

Apply using the links below:

2025

Start Date	End Date	Year	Location	Link
23/09/2025	31/05/2026	3	UH Hatfield Campus	Apply online (Full Time)
23/09/2025	31/05/2026	1	UH Hatfield Campus	Apply online (Part Time)
23/09/2025	31/05/2026	1	UH Hatfield Campus	Apply online (Full Time/Sandwich)
22/09/2025	31/05/2026	2	UH Hatfield Campus	Apply online (Full Time/Sandwich)

2026

Start Date	End Date	Year	Location	Link
21/09/2026	31/05/2027	3	UH Hatfield Campus	Apply online (Full Time)
23/09/2026	31/05/2027	1	UH Hatfield Campus	Apply online (Part Time)
23/09/2026	31/05/2027	1	UH Hatfield Campus	Apply online (Full Time/Sandwich)
22/09/2026	31/05/2027	2	UH Hatfield Campus	Apply online (Full Time/Sandwich)

Fees and funding
Fees 2024
UK Students
Full time
- £9250 for the 2024/2025 academic year
Part time
- £1155 per 15 credits for the 2024/2025 academic year
Fees 2025
UK Students
Full time
- £9535 for the 2025/2026 academic year
Part time
- £1190 per 15 credits for the 2025/2026 academic year
*Tuition fees are charged annually. The fees quoted above are for the specified year(s) only. Fees may be higher in future years, for both new and continuing students. Please see the University’s Fees and Finance Policy (and in particular the section headed “When tuition fees change”), for further information about when and by how much the University may increase its fees for future years.

View detailed information about tuition fees

Read more about additional fees in the course fact sheet

Other financial support

Find out more about other financial support available to UK and EU students

Living costs / accommodation

The University of Hertfordshire offers a great choice of student accommodation, on campus or nearby in the local area, to suit every student budget.

View detailed information about our accommodation

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BA (Hons) English Literature with Film

Key information

Typical offer:

Fees: See below

UCAS code: Q3W6

Institute code: H36

Study abroad option

Work placement option

Additional requirements

Why choose this course?

What's the course about?

Your main campus is College Lane

What will I study?

Check out our student blogs

Student Blogs

Student Blogs

Alumni Stories

Meet April Wilson, who used the diversity of her course to gain new experiences and learn. She is currently an Alumni Relations Coordinator at the University of Sussex.

University life and experience

Future aspirations

International/EU applicants without pre-settled status in the UK

Home and EU applicants with pre-settled/settled status in the UK

2025

2026

Fees 2024

UK Students

Full time

Part time

Fees 2025

UK Students

Full time

Part time

Other financial support

Living costs / accommodation